When was the last time you saw a movie, what did you really think? If you are looking for a cinema that will challenge you personally, intellectually and spiritually, then look no further than the Criterion Channel.
Criterion Channel is a streaming app launched by Criterion Collection, a reputed film distributor and restoration house, focusing on arthouse, foreign and classic cinema. The Criterion channel is available on most iOS and Android devices, Roku, FireTV, Xbox One and Samsung Smart TV. Annual memberships run $ 99, or you can opt for the monthly $ 11 package. New Channel subscribers also receive their first two weeks for free.
However, like most streaming platforms, the curation of the channel is always changing, with new movies, shows and complementary features added regularly. We have narrowed down the best movies you can watch now.
If you are looking for suggestions on other platforms We also scored Best movies Netflix, Hulu, Amazon Prime and Disney +.
Life mimics art in Federico Fellini’s 1963 work, 8½, A charmingly comedic comedy about Guido Anselmi (Marcello Mastaroyani), a film director amid the crisis of an artistic director. Suffering from writer’s block about the making of his latest film, Guido’s mind wanders into childhood memories with an intense, philosophical stance about his new film – specifically, his years spent in Catholic school and with a local prostitute With their experience. But the more the director wants to escape in his personal memories, the more industry movers and shakers want him to play his role as director, socialite, husband and lover.
8½ The autobiography is an undisputed undertaking, a recurring device that Fellini will continue to explore for years, a subject that is perhaps the best in his 1973 film, Amarcord.
rotten Tomatoes: 98%
Style: Art House & International, Drama
Artist: Brunello Rondi, Tulio Pinelli, Marcello Mastroyani
Director: Federico Fellini
Rating: Nr
Runtime: 135 minutes
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Writer / director Wong-Kar-Wai is probably best known for most famous films such as Grandmaster And In the mood for love, But of 1994 Chungqing Express As an international visionary, he helped bring autism to the true sense.
The story is split into two, with Cop 223 (Takeshi Kaneshiro) and Cop 663 (Tony Chiu-wei Leung) on each side, depicting love troubles with police officers. Cop 223 is abandoned by his girlfriend but vows that she will give him a month to return. Meanwhile, he takes the expiration date of May 1 (the day that will pass) and for a local drug-smuggler (Brigitte Lynn) to buy pineapple cans with pining. Cop 663, after its own breakup, often starts a train-line snack station. Her flight attendant’s ex-boyfriend goes there to meet her, but Faye (Faye Wong), a shop worker, informs him that this is his day. She gives Faye the key to the 663 apartment, which Faye uses to break into the officer’s house, where she takes it for cleaning and decorating. Oh, and he’s falling for 663.
The world collides, the theme weaves, and the characters cross paths in this unconventional but utterly mesmerizing film that was really nothing more than an exercise for Wong-Kar-wai. The director linked the story together and shot the film in less than two months while he was taking a break from editing his most recent film, Ashes of time.
rotten Tomatoes: 87%
Style: Art House & International, Comedy, Drama
Artist: Brigitte Lin, Takeshi Kaneshiro, Tony Leung Chiu Wei
Director: Wong-Kar-wai
Rating: PG-13
Runtime: 103 minutes
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Writer / director of Abbas Kirostami close up Is equal parts docudrama and the study of skilled character. Hussain Sabzian began posing as Mohsin Makhmalbuff, an Iranian filmmaker, a disguise he used against the Ahankhan family and used to bribe them. When Mr. Ahankhan finally catches up with Hussein, he reports Hussein to a local journalist. Hussain is exposed and goes to trial for his deception. It is during his hearing that we have presented a new side to the story, where the film develops into a deadlock of moral conflicts.
close up The film is based on actual events that occurred 40 years ago in northern Tehran, but Kirostami’s film feels surprisingly modern. Conflict of identity, mass gaslighting, and both personal and political justice are topics that are now more serious than ever.
rotten Tomatoes: N / A
Style: Biography, crime, drama
Artist: Hussain Sabzian, Mohsin Velvet
Director: Abbas Kiarastami
Rating: Nr
Runtime: 98 minutes
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Irene Jacob spells out as Vioric’s title, and her double, Veronica, is on a deeper level The double life of veronique. Our story takes place in both Poland and France and is the first focus on Veronica, a singer, as she comes into her own as a successful singer. At the height of a solo performance, significant events take place, introducing us to Veronique, a French music teacher living in Paris – an unhappy woman who falls in love with a puppet, Alexandre (Phillips Walter). It would be a disservice to tell more story. It can be experienced without any description.
We would say that the director and co-writer, Kreisztof Kielowski, crafts an exquisite dualism of performances, settings, and themes, with recurrent motifs in both Solavomir Idizak’s painter Cinematography and Zabnyu Previner’s intense score.
rotten Tomatoes: 82%
Style: Art House & International, Drama, Romance
Artist: Irne Jacob, Philip Walter, Claude Duneton
Director: Krzysztof Kieslowski
Rating: R
Runtime: 96 minutes
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Writer / director David Lynch’s feature film debut, Eraserhead Parenting is a real story about the horrors of repressed desires, and whatever other metaphors you can plug into Lynch’s weird blueprint.
When Henry (John Nance) is involved in a very awkward dinner with his girlfriend, Mary (Charlotte Stewart), and his family, Mary informs him that she is pregnant. Only a few cuts are made later, and we are introduced to the child, another creature who quickly becomes ill. Emotionally shattered, Mary leaves Henry alone with his ill-fated creation, where nightmares begin to occur.
Eraserhead Can be interpreted in a myriad of ways, but above the symbolism, the film introduced the world to dreamy narratives, strange dialogues, and its autobiographical David Lynch’s droning sounds. The film was financed by Lynch and AFI Conservatory, where it was also shot. Production was on / off again over a period of five years, with the cast and crew sometimes staying on set. If his works were bizarre, and the products of his labor were extraordinary, bizarre.
rotten Tomatoes: 90%
Style: Drama, Horror, Special Interest
Artist: John Nance, Charlotte Stewart, Alan Joseph
Director: David lynch
Rating: R
Runtime: 89 minutes
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Even if you’ve never seen a Godzilla movie, you know who the demon is, or at least heard his name. The terror of reptiles has been confined in our international fabric for decades, and it all goes back to the 1954 film, Godzilla (Originally titled Gojira), Co-written and directed by Ishiro Honda.
After several shipping ships are destroyed, an elder informs the investigative unit that Godzilla, a lore-based sea monster, is the culprit. It only happens that the man is right, as the creature re-emerges and wreaks havoc on Tokyo. Godzilla Became popular Kaiju The film is also famous for its genre (Japanese monster movies) and for its political commentary, particularly around the use of nuclear weapons.
Godzilla himself is agitated by his deep-sea stroke by testing hydrogen bombs, which actually serve to strengthen the organism that we see destroying our cities. Godzilla Political leaders, scientists, military, journalists and civilians as well as all leaders together in their shared response to the monster’s vulgarity (and simultaneously butting heads) portray a nation in crisis.
rotten Tomatoes: N / A
Style: Drama, Horror, Sci-Fi
Artist: Momoko Kochi, Akihiko Hirata, Takashi Shimura
Director: Ishiro Honda
Rating: Nr
Runtime: 96 minutes
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Director barbara copley Harlan county usa There is a stuffed and gritty documentary about the 1973 Brookside Mine strike, where a band of southeast Kentucky miners rallied against the Eastern Mining Company. When Eastover refuses to sign a new union contract, the strike quickly gives way to protests and near-guerrilla warfare, with violence perpetrated by a gun-fired militia on behalf of Eastover’s boys .
There is a major gap in the film, which comes from Koppal’s main decision, so that the narrator can be dropped and the miners and their families can talk. The story they weave is one of big business versus ordinary people, family conflict, terror and grief, but also hope and inspiration. Koppal himself spent many years with the families we see and hear, learning about his struggles and proving his own values and intentions as a filmmaker for the community.
rotten Tomatoes: 100%
Style: Document
Artist: N / A
Director: Barbara copal
Rating: PG
Runtime: 103 minutes
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Austrian autorim Wim Vendors has several films on the Criterion Channel, and rightfully so. Every Vendors film is intricately crafted, lovingly acted, and (in most cases) beautifully photographed by the late great Robbie Muller. Paris, Texas May represent the best realization of Vendors’ direction of vision.
Sam Shepard and L.M. From a script by Kit Carson, the film is about a silent nomadic wanderer named Travis (Harry Dean Stanton). After wandering through the deserts of West Texas, Travis eventually breaks out of the scorching heat. While he is unconscious, a German doctor who examines him finds a phone number on his person and calls him. It turns out there are points for the Travis brother, who is living in Los Angeles with his wife and son of a young boy – Travis.
Thus, the identity, set against the backdrop of the harsh sunshine of both Texas and LA, is a distinct form of family relationships and lost love.
rotten Tomatoes: 97%
Style: Art House & International, Drama, Romance
Artist: Harry Dean Stanton, Dean Stockwell, Auror Clement
Director: Vim Vendor
Rating: R
Runtime: 145 minutes
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Ingmar Bergman is one of the industry names most familiar with, whether you have seen any of his films or not. For those who the personality A great place to start. The narrative was conceived by Bergman for several weeks in the hospital while the writer / director struggled with pneumonia.
Our story focuses on Elisabeth (Liv Ullmann), a stage actress who has stopped walking and speaking, and her live-in nurse, Alma (Bibi Anderson). In an attempt to pull Elisabeth out of her fugitive state, the couple retreats to a delightful seaside cabin where Alma visits the actress. As the film progresses, Alma’s psychological state begins to be uprooted as the world of the two women collides in an unexpected way.
Featuring top performances by both Ullmann and Anderson the personality Will impress countless filmmakers. The dialectical themes of Bergman’s psychosis, sexuality, and identity can be seen as epic, as in the recent Robert Eggers seaside horror film, power station. In fact, it is a fitting comparison, as the personality Often recognized as an experimental horror film.
rotten Tomatoes: 90%
Style: drama
Artist: Bibi Anderson, Liv Ullman
Director: Ingmar Bergman
Rating: Nr
Runtime: 81 minutes
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