Phantom Musical Gets Black Swan Style Twist from Bohemian Rhapsody Writer

A new, more contemporary take on the classic Gothic story the Phantom of the Opera The screenplay is now in development courtesy of Anthony McCartan and his Museum of Fire productions. The project is described as a psychological thriller “in the vein of Black Swan and Misery” and will be based on the 1910 novel Le phantom de l’opera By Gaston Leroux. The film is called bus Apparition.

Other details have revealed that this famous story “will be set in London’s contemporary music scene. Leroux’s portrayal of a destructive relationship remains as a dark love story, but the film’s intention is to maintain the romanticism associated with previous interpretations.” Is, and instead succumb to suspense and horror which was a big part of the book. “

“The original idea that attracted me was the chance to remove the trap from the 110-year-old story, and return it to its roots in mystery and horror,” Anthony McCarten Described the film. “It will be a contemporary version of the story, incorporating contemporary themes, and drawing a new musical soundtrack on some of the greatest recording talents.”

He continued, revealing that the film would take away some of the more iconic elements the Phantom of the Opera Known for. “You know everyone on the list, they are multi-Grammy winning artists,” McCarten said. “We are aiming to do something new with music and score, and something that may be new to the artists themselves as well. We will free this story from the trapping of the Gothic romantic period for a new generation. Our Phantom Is not to sing to anyone, and there is no gondolier with a mask. “

The source novel is partly inspired by historical events at the Paris Opera during the nineteenth century, and is set in the 1880s in Paris, at the Palace Garnier Opera House, haunted by an entity known as the Phantom of the Opera is believed. , Or simply Opera Ghost. The classic story has since been successfully adapted into various stages and big screen adaptations, the most notable being the 1925 film featuring Lon Chane, and the 1986 musical by Andrew Lloyd Webber, of which 2004 by Joel Schumacher Direct film adaptation was received and starring Gerard Butler as Phantom.

McCarten is certainly aware of the familiarity of the audience the Phantom of the Opera And is eager to take the story back to its horror film roots, with plans to stay close to the novel’s atmosphere. The author described his view on the material as saying, “It’s like taking an old piece of furniture and taking back layers of paint back to the original grain.” “It’s back to the very scary, scary mystery roots that were in the book. With this version of the story, our goal is to be real, and what can’t be, and for whom to bring a more psychological lens . What can we be. “

the Phantom of the Opera Is in very safe hands with McCarten, who has been nominated for four Oscars, most recently for The Two Pops. He has several other major releases to his name including The Theory of Everything, the Darkest Hour, And Bohemian Rhapsody. It comes to us courtesy of the deadline.

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