Klipsch Cinema 400 review: Stylish soundbar with sophisticated performance

Clips have performed well The speakers For decades but has never fully translated his expertise Soundbar. While last year Bar 4x model A major step up from previous designs, they remained hindered by smaller subwoofers. The new Cinema 400 puts the last series’ main speaker combined with a new subwoofer, which is, quite frankly, polite. The result is one of the best TV speakers in this price range that I have ever heard.

like

  • Excellent sonics for both movies and music
  • Great build quality
  • Looks haggard

do not like it

  • Slightly longer than many soundbars can obscure your TV’s IR port
  • Only one hdmi input
  • No wi-fi streaming

Despite the singular amount of bass on offer, the Clipse Cinema 400 does not have lead or muffle. Produces larger, more open sound than its pair of horn-loaded tweeters JBL Bar 2.1 Deep Bass In the same price range. Klipsch also offers solid connectivity, although it has a single HDMI port and drawbacks Wi-fi streaming There are limitations compared to some other soundbars. If you don’t need those features, though, the Clipse Cinema 400’s stunning sound and bombproof construction should ensure its place on your shortlist.

Design and features

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400 Tractrix Horn of Klips Cinema

Ty Pendlebury / ClearTips

Klips made a name for himself with horn-loaded speakers – technically, a driver that is wider than a diaphragm – and the technique is used in both public address systems and Megaphone. The design takes pride of place on the Beauty Cinema 400. There is a gunmetal colored tractorx horn with a 1 inch tweeter on either end of the soundbar. These distinctive horns hide a pair of 3-inch oval, fiber-blended cone woofers behind an attractive, black tweed grille.

The Cinema 400, unlike most soundbars, is built from wood (MDF), and sounds really strong. The bar itself is relatively wide beyond 40-inches and 2. wide is quite tall at an inch height. Height can be an issue with some TVs, and proved to be tall enough to block remote sensors Sony XBR-55X950G I used to test. I had to raise my remote hand above the sound bar to register the TV. Conversely JBL 2.1 times Deep Bass had no problem allowing the television to pass. Whether Klipsch height is an issue for you depends on your TV and installation, so this is something to keep in mind.

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Ty Pendlebury / ClearTips

The wireless subwoofer is also constructed from wood and is 16.12 inches high by 11.87 inches wide and 16.12 inches deep. It dwarfs the JBL 2.1 Deep Bass sub and is one of the largest ever seen on any soundbar, period. The sub helps achieve a claimed 35Hz frequency response system. If you crave even more / deeper bass, the soundbar features a subwoofer to connect a wired sub, which can be used with or without it.

Connections to Cinema 400 include HDMI-ARC, Bluetooth, and 3.5mm analog and optical digital input. This should be fine for most users, but I would also like to see a second standard HDMI input. HDMI ARC, which feeds a signal from your TV to your outboard gear, can be a bit granular depending on your devices. Connecting your set-top box directly to the soundbar via another HDMI port is always a good option, and is available on competitors such as JBL 2.1 Deep Bass and Polk Command Bar.

The soundbar provides a Dolby digital decoder, not a DTS. The lack of a second major surround format is not a big deal because DTS broadcasts and streams are relatively rare, and in a pinch you can always set your source to output DTS as a PCS. The soundbar also offers several sound modes that perform dialog, surround enhancement, and “night” processing.

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Ty Pendlebury / ClearTips

There is a friendly little pointer with remote sound mode, EQ and input control. I found that I would sometimes need to adjust the sub based on what I was playing, and the remote assistant gives you a direct subwoofer volume control.

How does it feel

If I had to mark the sound of the clips it would have been “elaborate and garish”, and it’s no surprise that the brand has been adopted by the rock establishment: both by fans of the genre and by the Rock and Roll Hall of Fame. The Klipsch Cinema 400 retains this tradition, but does not wander into the upper-middle arrangement unpleasantness as some other “bright” speakers.

I compared the similarly priced JBL bar 2.1 deep base clips, and found that the clips gave a further ventilated sound, while the JBL gave a slightly more boxy sound. This is something I commented on in my Deep Bass Review – when it comes to music in particular, JBL lags behind others in terms of transparency and slam.

I began my test with a view of the lobby from the metrics – in which our protagonists Neo and Trinity travel with metal detectors of bad guys carrying human truckloads of weapons, and a top-notch fireball. The Klipsch subwoofer was able to go impressively deep, but it didn’t gel with the main bar as a JBL combo. The bass line from this scene never came to the clip the way it should be. It was not a great start, but things improved exponentially for the clips.

The avatar was next, and Pandora’s forests became lush and full of life when heard through the clips. I had a happy romp with Jake’s feline avatar, as he escaped from a raging vibrator ending with a sting in a waterfall. On the other hand, JBL made the scene a bit shorter and not even aware of certain details: the sounds were hollow and the click of the machine gun was less natural. However, Bar 2.1 was capable of some very tight bass effects and offered a better slam as Thalac smeared against the trees trying to get at Jake.

I heard a wide selection of music on the clips – from country to electronica to hardcore punk – and the soundbar didn’t waver. It was as comfortable with Strokes’ brilliant comeback album, The New Abnormal, as it was with the tragic sounds of Maynard James Keenan’s Pussifer.

Koriki includes two former members of Fugazi, and reminiscent of the clean medicine records of the Clean Quilts, the chiming guitar and guttural vocal line of the DC quartet. When I listened to the interaction between drum and guitar, Klipsch moved away from JBL here, with better separation of instruments and understanding of dynamics. I could feel Joe Lely’s bass line with my feet.

Klipsch wasn’t all about electricity, though. It was able to convey Dolly Parton’s classic Jolene’s selection of emerging guitars, and the instrument’s snap exited a much wider space than the physical speaker. His voice was expressive and best heard. JBL was a disappointment after that and the lyrics of the song were still incomprehensible, his voice was not as strong.

Should you buy it

In 15 years of soundbar testing, I have yet to find a model that is on my mind “perfect.” There is always some kind of compromise to fit the size, price, or both. The Clipse Cinema 400 isn’t going to fit everyone – it’s big, and doesn’t have a laundry list of features – but for the money it does so well compared to most competitors. If you value sound quality, the Klipsch Cinema 400 is well worth the money.

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