Distinguished Filmmaker Frank Darabonte The film is still not happy with the state of business – even after it recently failed to land an unmade Stanley Kubrick – after engaging with Ridley Scott. These days, Darabont is very famous for development The walking dead To television before being controversially fired during the second season. The cinematographers would know him better as the director of one of the most respected films ever made, The Shawshank Redemption, Along with other Stephen King conversions such as the green Mile And The mist.
In the latest episode of Postmortem with Mick Garris, Darabont opened up about his latest creative endeavor. Per Dread Central, he revealed how he has spent the last year writing a new script based on an unmade Stanley Kubrick the treatment. Darabont, who wrote Oscar-nominated screenplays The Shawshank Redemption And the green MileAlso felt that the screenplay was his best creative endeavor ever. Unfortunately, Ridley Scott was also on board for the production, uninterested in Hollywood.
“I spent the last year writing a script. And I know if I’m hitting on all cylinders. I was hitting on all cylinders. It’s a fantastic project that Stanley Kubrick wrote in the late ’50s . Unbelievable Civil War Masterpiece. This is a very meaningful screenplay and [when] I finished, I said, ‘This is the best job ever.’ And we shopped it around the city and we didn’t get a single meeting. .. it’s not just me [involved], [it’s also] The schmuck recluse is living on the north side. Ridley scott One of the producers was on it! And it is Kubrick’s idea that he developed with Shelby Foote, a famous civil war historian. “
Echoing the way in which Martin Scorsese said that Marvel films should not be considered “cinema”, Darabont also suggested that superhero films are designed for children, stating that he feels Is that Hollywood movies are no longer the way they used to be.
“They’re making superhero movies — Marvel movies. They’re making things for 12-year-old comic book collectors. Are they making any more films? My thesis is this: It was an art form of the 20th century. But now the 21st In the century, this is another place to divert attention. This is one of a thousand different ways that the public and the audience can distract themselves. You can find good things, of course, and lots of good writing. Emigrating Television. Vince Gilligan’s Breaking Bad and Better Call Saul, for example, ended up being a jewel in the crown of great television writing. But you know what? The first three networks and a few small local stations used to be! Now it’s 10,000 stations. Huh!”
To make his point a bit more clear, Darabont compared the oversaturation of today’s media to the excess of money.
“You know what happens when you just print money? It loses its value. In Germany, in the Weimar days, you used to get a barrel of Deutsche numerals and you couldn’t get bread, because It had just been devalued to the point where it didn’t matter anymore. I wonder, with this huge tsunami of content … is it possible to really count something? Being the thing that people have for 20 years The latter seems to be dear, as people seem to be holding Shashank dear? Like, the way we held Casablanca and The Wizard of Oz dear? Is it possible? Or are we all part of the noise now? “
It seems strange that a film written by The Shawshank Redemption The writer-director, based on the Stanley Kubrick treatment, and produced by Ridley Scott, failed to attract the attention of a studio. It cannot be denied that the state of the film business has changed rapidly over the past few decades, but there will be many who disagree with Darabont’s suggestion that Marvel films are to blame. The news comes to us via Dread Central, and you can listen to the full interview with Darabont on post mortem with the Mick Garris Podcast.